Hamlet’s
Descent
During
the course of William Shakespeare’s play Hamlet,
Hamlet, the main character descends into undeniable madness. At which point he
becomes “mad” is a point of contention. By the end of the play disasters have
ravaged his mind so that little semblance of order remains. He may still be
able to think logically, to a certain degree, but he no longer has room for
human empathy. He has suffered too much emotionally. There are three main
characters that lead to or contributed to his demise: the ghost of Hamlet
senior, his father; Polonius, his lover’s father; and Claudius, his uncle and stepfather,
the King.
The
play begins two months after Hamlet senior has died. A month ago his mother
married Claudius, Hamlet’s uncle. Hamlet does not approve of the marriage and
believes it was arranged too hastily. He feels that there is nothing he can do
about it because his uncle is the King and it is treasonous to speak against
him. Hamlet has his first reason to question his sanity when the ghost of his
father appears. The ghost tells Hamlet that Claudius killed him by pouring
poison into his ear. Other characters, namely Horatio, Hamlet’s best friend,
see the ghost but it does not speak to them. All they hear it say is, “Swear.”
(1.5.175) Hamlet knows that seeing the ghost doesn’t make him crazy. What he is
worried about is what would happen if he believed the ghost.
Hamlet
must decide whether or not the ghost is an amiable spirit or an evil one. The
ghost admits to being in purgatory, so it really could go either way. For
Hamlet to even consider avenging his father’s death is treasonous. Everything
about the ghost is wrong, what it suggests and its very presence. If Hamlet
kills Claudius as the ghost suggests, he will go to Hell. Hamlet is conflicted
about whether or not the murder would be worth Hell. This doubt in the ghost
and himself guides Hamlet down a road to madness.
Hamlet
hears a player recite a monologue about Hecuba when her husband was slain by
Pyrrhus. Hamlet is so moved by the monologue that he wishes he had the same
power of speech and feeling that the player has. He does not know what to feel
or do in his own life, and this player has rendered such emotion in a story
that does not even concern him. Hamlet is jealous about the player’s control
and power over emotion. “A broken voice, and his whole function suiting, with
forms to his conceit—and all for nothing! For Hecuba!What’s Hecuba for him, or
he to Hecuba?” (2.2.583-586)
Hamlet
continues to lament how he has actual reason and drive for such emotion yet he
can’t display it effectively, or at all. He would like to be able to convince
the court and all of Claudius’s supporters that Claudius murdered his father.
But even Hamlet is not sure if he believes it. He is still worried that the
ghost is an evil fiend. Hamlet goes to see Ophelia, his lover, for comfort.
Ophelia has
been speaking with her father, Polonius. Polonius tells her that Hamlet does
not love her, that he is just currently infatuated but that he will move on. He
also points out that Hamlet may not get to chose his bride because he is crown
prince of Denmark and princes do not get to chose who they marry. Ophelia,
dutiful daughter that she is, does not speak to Hamlet. After Hamlet leaves,
she tells her father of his visit. Polonius instructs her to give Hamlet’s love
letters back to him. Once again, Ophelia obeys.
When Hamlet
realizes that Ophelia is rejecting his love, that she is choosing her father
over him, he is distraught. He tells Ophelia that he no longer loves her and
that he never loved her in the first place. “You should not have believed me,
for virtue cannot so inoculate our old stock but we shall relish of it. I loved
you not.” (3.1.127-129) He wants her to leave, to go a nunnery so that she will
learn to never let men beguile her into loving them.
Polonius has
robbed Hamlet of his one love. If Polonius had not told Ophelia to return the
letters, Ophelia and Hamlet may have been able to rely on each other to stay
sane. Instead of staying in his place Polonius plunged head first into issues
without considering other angles. He tells Gertrude, Hamlet’s mother, how to
treat Hamlet. “Look you lay home to him. Tell him his pranks have been too
broad to bear with and that your Grace hath screened and stood between much
heat and him.” (3.4.1-6) Polonius hides in the Queen’s drapes when Hamlet comes
to speak to her. Hamlet hears him stir and kills him, believing Polonius to be
Claudius.
Hamlet is a
little thrown from killing the wrong man, but he takes it in stride and
continues his conversation with his mother. This dismissive attitude toward the
death of a human is the first clear sign of Hamlet’s erosion of empathy. It is
marked by the reappearance of the ghost, Hamlet senior. Only Hamlet can see it.
It says nothing, but it is there, at least in Hamlet’s mind. The ghost
represents Hamlet’s loss of connection to human empathy and emotion; it signals
that Hamlet is withdrawing into himself and is less concerned with right and
wrong. When Hamlet leaves his mother’s room he drags Polonius’s dead body out
saying, “This man shall set me packing. I’ll lug his guts into the neighbor
room.” (3.4.234-234)
Gertrude tells
her new husband, Claudius, about Hamlet’s slaughter of Polonius. Claudius
decides that Hamlet is much too dangerous to remain in Denmark so he sends him to England with Rosencrantz,
Guildenstern, and a note asking the English to kill Hamlet. Claudius is the
main cause of Hamlet’s madness. He murdered Hamlet senior; he married Gertrude,
Hamlet’s mother; and he ordered Hamlet to be killed.
Claudius is the
catalyst for Hamlet’s demise. He has no regard for the effect his actions have
on other characters’ emotional stability. His chief concern is for himself. He
killed the king and married the queen. He goes along with Polonius’s scheme to
separate Hamlet and Ophelia, just to see if Hamlet is mad because of love.
Hamlet and Claudius have no love or respect for each other. But at least Hamlet
originally had reservations about killing Claudius. Claudius just does not
care. Once he has written the letter asking for Hamlet’s death he says, “By
letters congruing to that effect, the present death of Hamlet. Do it, England,
for like the hectic in my blood he rages, and thou must cure me. Till I know
‘tis done, howe’er my haps, my joys, were ne’er begun.” (4.4.72-78).
Hamlet may be
losing or have lost his ability to care, but he has not lost his ability to
reason. He knows that Claudius means to have him killed. He reads the letter
that has his death sentence and calmly adjusts it so that Rosencrantz and
Guildenstern will meet their demise in England instead. Hamlet returns to
Denmark.
It is when
Hamlet first returns to Denmark that we see his last vestiges of feeling for
his fellow humans. He happens upon gravediggers who are digging Ophelia’s
grave. They tell him whom the skulls in the grave belong to. One of them was
the court jester from when Hamlet was a boy. Hamlet recollects about the fun
times he shared with the jester. He gets quite emotional, he holds the skull in
front of him and speaks to it and about it, “He hath bore me on his back a
thousand times, and now how abhorred in my imagination it is! My gorge rises at
it. Here hung those lips I have kissed I know not how oft. Where be your gibes
now? your gambols?” (5.1.191-196)
Hamlet learns
of Ophelia’s death as she is being laid into the ground. Laertes, Ophelia’s
brother, attacks Hamlet. Laertes has reasons enough; Hamlet killed his father,
Polonius, abandoned his sister, and forgot that he had killed Polonius. Hamlet
does not understand why Laertes assaults him. Hamlet feels that Laertes attacks
him because of Ophelia’s death, “Hear you sir, what is the reason you use me
thus? I loved you ever. But it is no matter. Let Hercules himself do what he
may, the cat will mew the dog will have his day.”
Claudius fuels
Laertes’s anger so that he might beat Hamlet in a duel. Claudius is still set
on having Hamlet killed. Laertes, wracked by grief and propelled by Claudius’s
cajoling decides to duel Hamlet. He even puts poison on the end of his blade so
that if he even scratches Hamlet he will die.
The poisoned
blade is ultimately Laertes’s undoing as it is Hamlet’s. They both die by the
blade. As he dies, Laertes confesses his dishonorable maneuver and Hamlet
acknowledges it. But he does not let Claudius off so easily. Claudius had poisoned
a cup of wine so that if Hamlet drank it he would die. Instead the queen drinks
it and she dies. Hamlet, in his final burst of energy before death, chokes,
stabs, and forces Claudius to drink his own poison. “Here thou incestuous, murderous,
damned Dane, Drink of this potion. Is thy union here?” Hamlet pours the last
drops of poison into Claudius’s mouth, “Follow my mother.” (5.2.356-357) Hamlet
no longer has any reservations in murder. Claudius is the fifth and last person
he kills in the play.
Hamlet’s
emotions were unstable at the beginning of the play. Because of the other
characters’ meddling he is pushed further and further away from human
compassion. The ghost starts Hamlet’s mind on the path of treachery and Polonius
and Claudius just keep giving him cause to continue down the road.
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